It sounds pretty much like the setup for your typical meet cute, until you realize that the rich executive, played by Korean star Lee Dong-Wook, has a condition where his anger manifests as actual blades growing from his body. Take, for example, DF's new drama Blade Man, which tells the love story of a video game executive and a game designer. "Not really sex but how true lovers struggle to make romance a reality." In fact, a first kiss usually happens seven or eight episodes into the narrative, which usually contains around 16 to 20 episodes. "What is focused on is relationships," Park said.
#Korean drama video hosting series
K-dramas vary in story and setting, of course, but what they have in common is that each series is self-contained - meaning, one season long and telling a complete story - and usually takes as its central plot a chaste romance. "All types of ethnicities," Park told me, "are seeking out foreign content" because it "speaks to them more than … traditional television."ĭramaFever carries a diverse library of content but is mostly known for its Korean dramas, more popularly known as K-dramas. Indeed, 85 percent of DramaFever's audience, Park said, is non-Asian, with 45 percent being Caucasian and 25 percent being Latino.
"But we couldn't have been more wrong." Non-Asians really, really love Korean dramas " When we started five years ago, we thought our audience was going to be Korean-American," Park told me over the phone. When DramaFever launched with just four employees, co-founders Suk Park and Seung Bak weren't expecting things to take off quite like they did. The site's content is available in more places than ever and has expanded beyond Asian programming: it's signed deals with Hulu, AMC, and YouTube, and in December 2012, it began streaming programming from Spanish language broadcaster Telemundo. Toyota, AT&T, Verizon, and Samsung have all purchased ads on DramaFever. And it just keeps growing, currently sitting at 20 million.īig brands have noted this rapid growth, as Ad Week reports. "we thought our audience was going to be korean-american - and we couldn't have been more wrong."ĭF says its total monthly unique viewers - which includes syndication partners like Hulu and YouTube - quadrupled from 2012 to 2013, growing from 2.5 million to 10 million. DramaFever has become one of the leading distributors of international content in the United States since its 2009 launch.
#Korean drama video hosting tv
More and more British, Canadian, and Australian series arrive here every day, and sites like Hulu bring in shows that aren't in English (like Hatufim, the Israeli show that served as inspiration for Homeland).Īnd then there's DramaFever, an online video streaming service specializing in TV series and films from Asia. But in the last several years, that's been changing. Acclaimed shows from other shores - even countries that spoke English - rarely showed up in America, and if they did, it was only sporadically on PBS. It used to be that the TV series Americans were able to consume were all pretty much produced right here in the US.
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